Warning: Spoilers!!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!! The 2019 film Parasite, directed by South Korean filmmaker, Bong Joon Ho, has provoked awe in audiences, both for it’s aesthetic construction and for its treatments of the themes of social inequality, fate, and chance. These two layers of the film–it’s artful construction and it’s provocative meaning–work in tandem to tell the story of the nearly destitute Kim family, … Continue reading Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber
“And these kinds of head fake learning are absolutely important. And you should keep your eye out for them because they’re everywhere.” Randy Pausch, “The Last Lecture“ I’m not a big zombie movie fan. In fact, to be honest, and I don’t really care for the genre. It might have to do with the fact that they are a subset, or, at least, a close … Continue reading Get Out: Head Fakes, Zombies, and Big Macs in Paris
Warning: Spoilers!!! Warning: Spoilers!!! Warning: Spoilers!!! Warning: Spoilers!!! Warning: Spoilers!!! I first watched Vertigo (1958) probably about fourteen years ago. The film is one of the more unusual Alfred Hitchcock films of his oeuvre (alongside The Trouble with Harry (1955) and Mr. and Mrs. Smith (1941). Upon re-watching it, all of my original impressions–the clever symmetrical plot line, the ominous mood, the off-brand character played … Continue reading Vertigo: Symmetries, Synchronicity, and an Appointment in Samarra
Warning: Spoilers!!!!! Warning: Spoilers!!!! Warning: Spoilers!!! When I was a kid I found it fascinating how I could tell what decade a tv show was made within seconds of watching it. I didn’t need to know the plot or who the actors were, though that certainly helped. Costuming, hair, props, and things like cars and decor certainly factored in, but those weren’t necessary either. It … Continue reading The 39 Steps: Style, The Mandela Effect, and Don’t Forget the Trains . . . never forget the trains.