Clue, the Mere Exposure Effect, the Costanza Gambit, and the Musical without a Song

Warning Spoilers!!!! Warning Spoilers!!! Warning Spoilers!!! Warning Spoilers!!! The Perils of A Favorite Film In the following post, I’m going to argue something a bit odd about a movie I love. I’m going to argue that Clue (1985) can be thought of–or at least discussed in terms of–a musical, even though none of the characters sing. Now, you might be saying to yourself, “but Clue … Continue reading Clue, the Mere Exposure Effect, the Costanza Gambit, and the Musical without a Song

Bees, Knees, Pilgrimages, and Substitutiary Locomotion: A Review of Bedknobs and Broomsticks

Merovingian Bees: Recasting Identity through Heritage A few years ago, I watched a 93-part episode series on the History of the Christian Church, taught by Professor Ryan Reeves of Gordon Conwell Theological Seminary. The video series is, by the way, immensely educational and creatively put together. One of the most effective techniques Reeves uses is to start each video lecture a bit off kilter, a … Continue reading Bees, Knees, Pilgrimages, and Substitutiary Locomotion: A Review of Bedknobs and Broomsticks

Shrek: It’s like a Coen brothers film but without the ruthlessly dark depiction of life and humanity–also Smash Mouth

The films of Joel and Ethan Coen are always a treat to watch. One reason I love them so much is that they are simultaneously an homage to a genre, a parody, and a rightful addition to that genre, as well. Take, for instance, Miller’s Crossing (1991), one of their early films, which portrays a prohibition era fight between two crime bosses, Leo (Albert Finney) … Continue reading Shrek: It’s like a Coen brothers film but without the ruthlessly dark depiction of life and humanity–also Smash Mouth