Warning: Spoilers!!!! Warning: Spoilers!!!! Warning: Spoilers!!! Everybody who’s heard of acclaimed director Quentin Tarantino knows about his signature style. Let’s play a game of word association. When I say Tarantino, what comes to mind? I bet violence comes to mind. Practically all of his films include flamboyant portrayals of fight scenes, murders, stabbings, shootings, and people doing disturbing things with other people’s ears, to name … Continue reading Once Upon a Time in Hollywood: Metadrama, Spaghetti Westerns, and don’t forget about the flamethrower.
Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!!! There’s something about twins that resonates with audiences of theater, fiction, television, and drama. Whether it’s Viola and Sebastian in Shakespeare’s Twelfth Night (1602), Spiderman, Susan and Sharon of The Parent Trap (1961), or those cousins, identical cousins, Patty and Cathy (The Patty Duke Show, 1963-1966), they keep reappearing in story after story. Many of these stories speak to … Continue reading Us: It’s What Happens When Patty Duke meets Zombies and they take a trip to Metropolis
A period film is mysticism masquerading as empiricism–it’s sorcery posing as a telescope and a microscope. It’s the sublime adorned in the devious costume of verisimilitude. A period film is like a hall of mirrors, reflecting back reality so many times that the viewer doesn’t necessarily know what is mirroring what. The further the viewer dives into the film, the more dizzy that viewer might … Continue reading Mimesis, The Mission, and the World We Have Made