Warning: Spoilers!!! Warning: Spoilers!!! Warning: Spoilers!!! Inside Out, a 2015 film that is both allegorical and naturalistic, dives into the consciousness of its main character, in ways both innovative and drawing on a 500 years old dramatic tradition. Let’s start with the film’s Emotion characters, who are embodiments of feelings–in other words, concepts depicted as characters. When I first started watching Inside Out, I was … Continue reading Inside Out: Why Can’t We Be Friends and Why Should We Read Medieval Literature?
I’ve created my second vlog, this one over the 2001 film, Monsters, Inc., directed by Pete Docter. You can find it below. I hope you enjoy. If you do, please share! Continue reading Monsters, Inc., (2001) Monsters, and Commonplaces
Merovingian Bees: Recasting Identity through Heritage A few years ago, I watched a 93-part episode series on the History of the Christian Church, taught by Professor Ryan Reeves of Gordon Conwell Theological Seminary. The video series is, by the way, immensely educational and creatively put together. One of the most effective techniques Reeves uses is to start each video lecture a bit off kilter, a … Continue reading Bees, Knees, Pilgrimages, and Substitutiary Locomotion: A Review of Bedknobs and Broomsticks
The films of Joel and Ethan Coen are always a treat to watch. One reason I love them so much is that they are simultaneously an homage to a genre, a parody, and a rightful addition to that genre, as well. Take, for instance, Miller’s Crossing (1991), one of their early films, which portrays a prohibition era fight between two crime bosses, Leo (Albert Finney) … Continue reading Shrek: It’s like a Coen brothers film but without the ruthlessly dark depiction of life and humanity–also Smash Mouth