I’ve made my first video blog, or vlog, as they say. It’s over the film, Meet the Parents, from 2000, directed by Jay Roach. I hope you’ll watch my short movie and tell me your thoughts, either about cinematography or Meet the Parents! Continue reading Meet the Parents and Cinematography
I recently learned that a pun I came up with was already well established in the puniverse. You see, my pun went something like Frank Capricorn; it was going to involve a film director, someone born between December 21st and January 20th, a hot dog, and candy corn. But to my chagrin, the term capricorn has been around quite a while, and it refers to … Continue reading Abraham Lincoln, “a natural born piggy-backer”: Why “It Happened One Night” is a classic.
Warning: Spoilers!!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!! The 2019 film Parasite, directed by South Korean filmmaker, Bong Joon Ho, has provoked awe in audiences, both for it’s aesthetic construction and for its treatments of the themes of social inequality, fate, and chance. These two layers of the film–it’s artful construction and it’s provocative meaning–work in tandem to tell the story of the nearly destitute Kim family, … Continue reading Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber
Anyone familiar with the classics knows all about Calvinball, the game where not just the score, but the rules change constantly. Calvin tells his imaginary friend Hobbs all about the game, where the participants’ best chance at success is to embrace the chaos; until the player recognizes the insanity of the game, they won’t be able to enjoy themselves, and they won’t be able to … Continue reading The Genre of Calvinball: American Hustle and the Art of Improvisation
Warning: Spoilers!!!! Warning: Spoilers!!!! Warning: Spoilers!!! Everybody who’s heard of acclaimed director Quentin Tarantino knows about his signature style. Let’s play a game of word association. When I say Tarantino, what comes to mind? I bet violence comes to mind. Practically all of his films include flamboyant portrayals of fight scenes, murders, stabbings, shootings, and people doing disturbing things with other people’s ears, to name … Continue reading Once Upon a Time in Hollywood: Metadrama, Spaghetti Westerns, and don’t forget about the flamethrower.
Warning: Spoilers!!!!! Warning: Spoilers!!!! Warning: Spoilers!!! When I was a kid I found it fascinating how I could tell what decade a tv show was made within seconds of watching it. I didn’t need to know the plot or who the actors were, though that certainly helped. Costuming, hair, props, and things like cars and decor certainly factored in, but those weren’t necessary either. It … Continue reading The 39 Steps: Style, The Mandela Effect, and Don’t Forget the Trains . . . never forget the trains.
Warning: Spoilers!!!!!! I remember watching the film, Oceans 12 (2004). I don’t mean to say I remember the plot, because I don’t except for the laser dance guy scene. (Btw, the laser dance guy scene is just as cool as it ever was. It’s basically the one redeeming part of the film.) But what I do remember is being disappointed after watching the film. I … Continue reading Zombieland, Double Tap: It’s basically Oceans 12, but actually good this time.
Footnotes for Film Buffs 