Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber

Warning: Spoilers!!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!! The 2019 film Parasite, directed by South Korean filmmaker, Bong Joon Ho, has provoked awe in audiences, both for it’s aesthetic construction and for its treatments of the themes of social inequality, fate, and chance. These two layers of the film–it’s artful construction and it’s provocative meaning–work in tandem to tell the story of the nearly destitute Kim family, … Continue reading Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber