Clue, the Mere Exposure Effect, the Costanza Gambit, and the Musical without a Song

Warning Spoilers!!!! Warning Spoilers!!! Warning Spoilers!!! Warning Spoilers!!! The Perils of A Favorite Film In the following post, I’m going to argue something a bit odd about a movie I love. I’m going to argue that Clue (1985) can be thought of–or at least discussed in terms of–a musical, even though none of the characters sing. Now, you might be saying to yourself, “but Clue … Continue reading Clue, the Mere Exposure Effect, the Costanza Gambit, and the Musical without a Song

Family Friendly Films: Deep Loves, Deep Cuts, and Might Be’s

I’ve been asked by my friend and colleague, Alana, create a list of family friendly films. Now, this challenge is both easy and hard. It’s easy because there’s no shortage of family friendly films. But that abundance of options is what makes it hard. How does one pick from such a plentiful list? Another challenges comes the way memory erodes our impressions of these stories. … Continue reading Family Friendly Films: Deep Loves, Deep Cuts, and Might Be’s

Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber

Warning: Spoilers!!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!! The 2019 film Parasite, directed by South Korean filmmaker, Bong Joon Ho, has provoked awe in audiences, both for it’s aesthetic construction and for its treatments of the themes of social inequality, fate, and chance. These two layers of the film–it’s artful construction and it’s provocative meaning–work in tandem to tell the story of the nearly destitute Kim family, … Continue reading Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber

Fighting with My Family: Self-Portrayals, Body Slams and Rudy Goes to the Ball

Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!!! In the mid-twentieth century, Gloria Swanson, an aging out-of-the-limelight former silent film star, played the part of Norma Desmond, a character who might be described as an aging out-of-the limelight former silent film star. This performance, in the film Sunset Blvd. (1950), demonstrated that the legendary Swanson, unlike Desmond, possessed self-awareness and an ability to poke fun at herself. … Continue reading Fighting with My Family: Self-Portrayals, Body Slams and Rudy Goes to the Ball

Bees, Knees, Pilgrimages, and Substitutiary Locomotion: A Review of Bedknobs and Broomsticks

Merovingian Bees: Recasting Identity through Heritage A few years ago, I watched a 93-part episode series on the History of the Christian Church, taught by Professor Ryan Reeves of Gordon Conwell Theological Seminary. The video series is, by the way, immensely educational and creatively put together. One of the most effective techniques Reeves uses is to start each video lecture a bit off kilter, a … Continue reading Bees, Knees, Pilgrimages, and Substitutiary Locomotion: A Review of Bedknobs and Broomsticks

Get Out: Head Fakes, Zombies, and Big Macs in Paris

“And these kinds of head fake learning are absolutely important. And you should keep your eye out for them because they’re everywhere.” Randy Pausch, “The Last Lecture“ I’m not a big zombie movie fan. In fact, to be honest, and I don’t really care for the genre. It might have to do with the fact that they are a subset, or, at least, a close … Continue reading Get Out: Head Fakes, Zombies, and Big Macs in Paris

The Big Short: Edmund Burke and the Sublime in our Stars, our Stripes, and Our Stocks

Some time ago, I heard a quotation from Marshall McLuhan that I instantly recognized as true–and quite insightful: “Anyone who tries to make a distinction between education and entertainment doesn’t know the first thing about either.” As an educator, I know what he’s getting at. We’re more likely to learn, when we’re having fun, either in the formal setting of a school, ambling through nature, … Continue reading The Big Short: Edmund Burke and the Sublime in our Stars, our Stripes, and Our Stocks

Shrek: It’s like a Coen brothers film but without the ruthlessly dark depiction of life and humanity–also Smash Mouth

The films of Joel and Ethan Coen are always a treat to watch. One reason I love them so much is that they are simultaneously an homage to a genre, a parody, and a rightful addition to that genre, as well. Take, for instance, Miller’s Crossing (1991), one of their early films, which portrays a prohibition era fight between two crime bosses, Leo (Albert Finney) … Continue reading Shrek: It’s like a Coen brothers film but without the ruthlessly dark depiction of life and humanity–also Smash Mouth

Once Upon a Time in Hollywood: Metadrama, Spaghetti Westerns, and don’t forget about the flamethrower.

Warning: Spoilers!!!! Warning: Spoilers!!!! Warning: Spoilers!!! Everybody who’s heard of acclaimed director Quentin Tarantino knows about his signature style. Let’s play a game of word association. When I say Tarantino, what comes to mind?  I bet violence comes to mind. Practically all of his films include flamboyant portrayals of fight scenes, murders, stabbings, shootings, and people doing disturbing things with other people’s ears, to name … Continue reading Once Upon a Time in Hollywood: Metadrama, Spaghetti Westerns, and don’t forget about the flamethrower.

Zombieland, Double Tap: It’s basically Oceans 12, but actually good this time.

Warning: Spoilers!!!!!! I remember watching the film, Oceans 12 (2004). I don’t mean to say I remember the plot, because I don’t except for the laser dance guy scene. (Btw, the laser dance guy scene is just as cool as it ever was. It’s basically the one redeeming part of the film.) But what I do remember is being disappointed after watching the film. I … Continue reading Zombieland, Double Tap: It’s basically Oceans 12, but actually good this time.