Family Friendly Films: Deep Loves, Deep Cuts, and Might Be’s

I’ve been asked by my friend and colleague, Alana, create a list of family friendly films. Now, this challenge is both easy and hard. It’s easy because there’s no shortage of family friendly films. But that abundance of options is what makes it hard. How does one pick from such a plentiful list? Another challenges comes the way memory erodes our impressions of these stories. … Continue reading Family Friendly Films: Deep Loves, Deep Cuts, and Might Be’s

Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber

Warning: Spoilers!!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!! The 2019 film Parasite, directed by South Korean filmmaker, Bong Joon Ho, has provoked awe in audiences, both for it’s aesthetic construction and for its treatments of the themes of social inequality, fate, and chance. These two layers of the film–it’s artful construction and it’s provocative meaning–work in tandem to tell the story of the nearly destitute Kim family, … Continue reading Parasite: Aristotle and Arthur Miller, Tartuffe and Montgomery Cliff, and the Genre of the Ingénue Climber

Fighting with My Family: Self-Portrayals, Body Slams and Rudy Goes to the Ball

Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!!! Warning: Spoilers!!!!!!!!! In the mid-twentieth century, Gloria Swanson, an aging out-of-the-limelight former silent film star, played the part of Norma Desmond, a character who might be described as an aging out-of-the limelight former silent film star. This performance, in the film Sunset Blvd. (1950), demonstrated that the legendary Swanson, unlike Desmond, possessed self-awareness and an ability to poke fun at herself. … Continue reading Fighting with My Family: Self-Portrayals, Body Slams and Rudy Goes to the Ball

Get Out: Head Fakes, Zombies, and Big Macs in Paris

“And these kinds of head fake learning are absolutely important. And you should keep your eye out for them because they’re everywhere.” Randy Pausch, “The Last Lecture“ I’m not a big zombie movie fan. In fact, to be honest, and I don’t really care for the genre. It might have to do with the fact that they are a subset, or, at least, a close … Continue reading Get Out: Head Fakes, Zombies, and Big Macs in Paris

The Big Short: Edmund Burke and the Sublime in our Stars, our Stripes, and Our Stocks

Some time ago, I heard a quotation from Marshall McLuhan that I instantly recognized as true–and quite insightful: “Anyone who tries to make a distinction between education and entertainment doesn’t know the first thing about either.” As an educator, I know what he’s getting at. We’re more likely to learn, when we’re having fun, either in the formal setting of a school, ambling through nature, … Continue reading The Big Short: Edmund Burke and the Sublime in our Stars, our Stripes, and Our Stocks

The Genre of Calvinball: American Hustle and the Art of Improvisation

Anyone familiar with the classics knows all about Calvinball, the game where not just the score, but the rules change constantly. Calvin tells his imaginary friend Hobbs all about the game, where the participants’ best chance at success is to embrace the chaos; until the player recognizes the insanity of the game, they won’t be able to enjoy themselves, and they won’t be able to … Continue reading The Genre of Calvinball: American Hustle and the Art of Improvisation

Shrek: It’s like a Coen brothers film but without the ruthlessly dark depiction of life and humanity–also Smash Mouth

The films of Joel and Ethan Coen are always a treat to watch. One reason I love them so much is that they are simultaneously an homage to a genre, a parody, and a rightful addition to that genre, as well. Take, for instance, Miller’s Crossing (1991), one of their early films, which portrays a prohibition era fight between two crime bosses, Leo (Albert Finney) … Continue reading Shrek: It’s like a Coen brothers film but without the ruthlessly dark depiction of life and humanity–also Smash Mouth

Rocketman: Elton John, Superman, and the Costumes we wear

Warning: Spoilers!!! Warning: Spoilers!!! Warning: Spoilers!!! One of my favorite scenes from Tarantino’s films is towards the end of Kill Bill vol. 2 (2004), not long before our avenger Beatrix Kiddo (Uma Thurman) and Bill (David Carradine) square off in a final death match. Beatrix has a theory about herself, that she’s not really a killer and that she needed to get their child away from … Continue reading Rocketman: Elton John, Superman, and the Costumes we wear